Editor-in-Chief

ABSTRACT

PUNE RESEARCH WORLD 

AN INTERNATIONAL JOURNAL OF INTERDISCIPLINARY STUDIES

( ISSN  2455 - 359X  ONLINE )  (JIF 2.54)

 VOLUME 1 , ISSUE - 4  (DEC 2016 TO FEB 2017)

KALYANI GUDURU

ABSTRACT

Welfare measures are essential components in the human resource functions. Welfare includes provision of various facilities and amenities in and around the workplace for the better life of employees. Employee is backbone of any organization. Without employee no work can be done. So employee satisfaction is most important in any organization. For satisfying employees organization must provide various facilities in addition to wages. As AMARA RAJA Batteries Ltd is famous battery industry. The main aim of this study is to analyze the Safety-Health -welfare measures of AMARA RAJA Batteries employees. Personal interviews and asking related questions have been used in this study to measure the welfare of employees. The study shows that 89% of the samples are satisfied with the welfare system in AMARA RAJA BATTERIES still 11% aren’t satisfied by the effort made by AMARA RAJA BATTERIS toward welfare facilities. The organization may give importance to the dissatisfaction of employees behind welfare facilities should be identified and improved by the welfare dept of AMARA RAJA BATTERIES LTD.

KEY WORDS: Satisfaction, Welfare Measures, Amenities, Facilities, Batteries.

P. NEELAYADATCHY

ABSTRACT

Manju Kapur is a Professor of English at Miranda House, University. She is the author of five novels. Her first novel, Difficult Daughters (1998) won the Commonwealth Writers Prize. Her second novel, A Married Woman (2002) was called ‘fluent and witty’, while her third novel Home (2006) was described as ‘glistening with detail and emotional acuity’. Her fourth novel The Immigrant (2008) has been long listed for the DSC Prize for South Asian Literature and her fifth novel is Custody (2011).Manju Kapur speaks for the middle class and even has earned several comparisons with Jane Austen. This paper deals with the sufferings of an innocent Indian Woman who faces the realities in a new world with no one to support her legally or psychologically in Manju Kapur’s The Immigrant. It proves that immigration implies not only geographical shift of locations but also proves to be a major shifting force to modify human consciousness including harmony and moral value system. Its main problem is how and why women suffer the loss and isolation in trans-cultural space. In it, Kapur mingles the complexity of immigrant perspective with the complexity of marital and sexual harmony. It deals with the problems like anxiety, medical investications, apprehensions about the weakness of her husband and rootlessness.

Key words: Immigrant, isolation. dilemma, rootlessness 

KAMALAKAR BABURAO GAIKWAD

ABSTRACT

Protagonists play a crucial role in fictions. They basically perform structural role. Being the soul of the story, they take initiative in moving the plot of the story. The present paper examines the significant attributes of the protagonists. This helps the readers in understanding the nature of the protagonists.  The researcher tries to investigate the important dimensions of the protagonists in different situations. He focuses his view points about the protagonists effectively. As far as the attributes are concerned, protagonist is the primary figure of the fiction. The events of the plot are closely associated with the protagonist. This study concludes that the protagonists enjoy most empathy as well as the focal point of the narrative from the audience and are always driven by a goal, duty or curiosity.

Key Words: Protagonist, attributes, stereotypes, primary figure, focal point of the narrative, fiction etc.

DR. S. CHELLIAH

ABSTRACT

The fame of Jane Austen stands unique in the literary world. She is a writer who is quite conscious of her artistic design and she can be claimed as one of the boldest women writers in English Literatures. Jane Austen is speaking about such things as inner conflict, sense of pain, disintegration and meaninglessness as common to woman. This paper throws light on her feminine sensibility, themes of love and marriage her rebellion against male dominated society and she attempts through her novels to explain the feminine consciousness.

JAGTAP H. K.

ABSTRACT

In the recent years, a good number of industrial establishment have mushroomed on the agricultural lands in Raigad Districts. This development is necessary to boost economy of the State. But it is done at the cost of farmers livelihood. The industrial impact is so great that they are rendered homeless and jobless. Because their arable lands are appropriated for the industrial purpose. Moreover, this has affected the growth of the produce. As a result, the field products are now scarce and are sold at exorbitant prices. Under the prevailing circumstances, the poor farmers are compelled to seek their livelihood somewhere in the urban areas.  

PRASANNATA RAMTIRTHE

ABSTRACT

Stylistics is a systematic way of exploring a literary text especially the language of a text and tries to explain how language creates meaning, style and certain effect. The study of stylistics is considered as one of the significant tools to analyze a literary piece from the point of view of language. There are a number of scholars who are engaged in the interpretation of different genres of literature such as prose, poetry, drama, short story and one-act-play with the help of Stylistics. The interpretation of poetry is possible with the help of some of the important terms in stylistics. The students of literature are to be made aware of the fact that without looking at the individual and collective usages of the lexical items, it is not possible to comprehend the meaning of a poem of any sort. The present article is exclusively devoted to the rudimentary study of Stylistics, an important branch of linguistics. In the beginning, it offers a historical background of Stylistics as a linguistic discipline examines strength and weakness and unfolds its scope and limitations following important definitions.

Key words: Style, Stylistics, Linguistics, Deviation, Diachronic view, Foregrounding, Figurative use of Lnaguage.

ANAND P. PANDIT & MADHUKAR R. KARALE

ABSTRACT

DR. SHAIKH AFTAB ANWAR

ABSTRACT

The National Rural Employment Guarantee Act 2005 (NREGA) renamed as Mahatma Gandhi National Rural Employment Guarantee Act (MGNREGA) is the most realistic approach to the problems of poverty and unemployment in rural India. In fact, the Scheme ensures the employment security of the rural poor by providing guaranteed wage employment for minimum one hundred days. The studyexamines India’s National Rural Employment Guarantee Scheme (NREGS) according to criteria viz. average number of days of employment per household; percentage of households completing 100 days of employment under NREGS; percentage of expenditure against total available funds etc. Performance of the first two criteria has been disappointing and has deteriorated over a period of time. However the percentage of expenditure against total available funds has risen sharply.

Keywords: Rural Employment, Mahatma Gandhi, Vidarbha Region, National Rural Employment Guarantee Scheme (NREGS)

DR. JANGALE BHASKAR HARIBHAU

ABSTRACT

V. BALA MURALI KRISHNA

ABSTRACT

Rabindranath Tagore, a major bridge builder between the East and the west could make an indelible mark on the pages of the history of Indian writing in English, viewing the composite culture and pluralistic society of India through the inward his eye, being of a universal poet of a great intellectual variety and depth of his approach, which fetched him the unique distinction of being the first ever receipt of the Nobel Prize for literature for his ‘Gitanjali’ in the year 1913 in Asia. It is the rarest honour that his literary acumen has gifted him with. Being a man of great versatility, proving his mettle in the arts such as painting, singing, writing and composing music, Tagore could bring to our a close ‘The Universal Man’, ‘the Cosmic Man’, The poetry and prose which accrued from the great literary genius of Tagore catered to the men and women of all ages, nations and generations with their quality of being able to get matched to their needs both aesthetic and spiritual. Coupled with Tagore’s traits, as a poet, of making the people understand what true nationalism was and is and what it should be his poetic exuberance succeeded in making the people of a subject nation understand the real reasons for their subjugation, which were, in a word, ignorance, illiteracy and superstition.

MARUTHI CHANDRA CHEJARLA

ABSTRACT

Megalithic culture in Andhra Pradesh and Telangana has its own unique characters. However, there are certain similarities between megalithic culture of Andhra Pradesh and rest of the world. Megaliths are well distributed throughout south India, and in northeast India. The monuments are found at Leh in the extreme North, Adichannalur at extreme south, Assam in East and Chota Nagapur in the West. In south India, Megalithic monuments are more in number than any other region of the subcontinent. 

ANAMIKA

ABSTRACT

Library is an organization where a team of professional, semi -professional & non-professional employees strive to serve a common purpose, mainly to cater to their users in the best possible way. With the passing of decades & centuries many things changed shapes in the arena of librarianship. The shift from micro to macro information , the changes in format of resources , the entrance of upcoming technologies to cause radical shift in dimensions of information storage & retrieval. 

प्रा. डॉ. व्ही. एन. भालेराव और प्रा. सौ. सूर्यवंशी एस. आर.

ABSTRACT

ukjh psruk dh laokfgdk dey dqekj flQZ ukjh thou dh fprsjs gh ugha arks mldh i{k/kj Hkh gS] blhfy, ukjh thou esa gksusokyh fofo/k leL;kvksa dks fpf=r dj ukjh dks fdruh Hk;kog fLFkfr;ksa ls xqtjuk iM+rk gS ;g ysf[kdk us vius dFkk&lkfgR; ds ek/;e ls izLrqr fd;k gSA leL;k,¡ vf/kdka”kr% lkekftd {ks= esa tUe ysrh gS vkSj mldk laca/k vf/kdrj ukjh tkfr ls gksrk gSA fofo/k leL;kvksa vkSj dqizFkkvksa us ukjh tkfr dks cM+h ghukoLFkk esa ig¡qpk fn;k gSA fookg iwoZ vkSj fookg ckg~; lacaaa/k] cykRdkj dh leL;k] ifjR;kDrk] vuesy fookg] fo/kok fookg] L=h Hkwz.k gR;k] ngst izFkk] izkS<+dqekjh] leYkSafxd laca/k dh leL;k] O;luk/khu ifr dh leL;k vkfn leL;kvksa ls ukjh ihfM+r gSA iq#’k ds thou ij mu leL;kvksa dk vkSj muls fufeZr ihM+k dk mruk izHkko ugha iM+rk ftruk ukjh ijA ukjh dh lekt esa n;uh; fLFkfr dk dkj.k tgk¡ mldk L=h gksuk gS] ogk¡ bu leL;kvksa ds vfHk”kkiksa ls ihfM+r gksuk Hkh gSA dey dqekj ds dFkk&lkfgR; esa fpf=r ukjh thou dh fofo/k leL;k,¡ fuEufyf[kr gSa&

पूनम कुमारी

ABSTRACT

प्रा. व्ही. एम. घुबले

ABSTRACT

Hkkjr ns”k gk [ksM;kapk ns”k vkgs- egkRek xka/khauh lkaxhrys gksrs] tsOgki;Zar [ksM;kapk fodkl gks.kkj ukgh rsOgki;Zar ns”kkpk fodkl gks.kkj ukgh- R;kdjhrk 73 oh ?kVuk nq:Lrh >kyh] R;kr iapk;r O;oLFkk cGdV dj.;kr vkyh o yksd”kkgh fodsanzhdj.k dj.ks gk 73 O;k ?kVuk nq:Lrhpk egRokpk mÌs”k vkgs- 1951 iklqu vki.k ns”kkps fu;kstu djhr vlyks rjh ;k ns”kkrhy [ksM;kapk fodkl >kyk ukgh- dkj.k Hkkjrh; fu;kstu vk;ksx ;k ns”kkps fu;kstu djhr  vkys vkgs- tsOgk fu;kstukph  fn”kk xkokdMwu fnYyhdMs tkbZy rsOgkp ;k ns”kkpk fodkl “kD; vkgs- dkj.k T;kyk ts ikfgts rs Bjfo.;kpk vf/kdkj R;kyk  fnY;k xsyk ikfgts Eg.kts yksdlgHkkxh xzkeh.k fu;kstu Ogk;yk ikfgts- ?kVusrhy dye 243 uqlkj xzkelHksyk yksd”kkgh fu;kstukpk vf/kdkj vkgs-

प्रा. डॉ. सविता मा. पवार

ABSTRACT

lkfgR; vkf.k lektkpk vfr”k; toGpk laca/k jkgr vkysyk vkgs-lektkrhy ?kM.kk·;k?kVukaps izfrfcac lkfgR;ke/;s iMr vlrs- R;kpcjkscj lkfgR;d`rhpk izHkkogh lektkoj iMr vlrks;knÞ’Vhus fopkj djrk lkfgR;d`rh] lekt vkf.k laLd`rh ;kapk vU;ksU; laca/k vkgs- R;keqGslkfgR;izdkjpk vH;kl gk lektfujis{k jkgwu djrk ;s.kkj ukgh- L=hoknh lkfgR;kpk fopkjghlektlkis{k pkSdVhr jkgwu djkok ykxrks- L=hthoukpk fopkj djrk fL+=;akoj th ca/kus ;sr xsyhR;kyk vusd ?kVd dkj.khHkwr vkgsr- fir`lRrkd dqVqaci/nrh] fyaxHksnkoj vk/kkjhr lektjpuk ] tkr] /keZ] oxZ] izknsf”kdrk vkf.k izLFkkfir O;oLFkk ;krwu fL=;kaoj vusd ca/kus vkyh vkgsr- fookglaLFksyk vlysy egRo] nsgfo’k;d ikfo+++j;kP;k dYiuk vkf.k vkbZi.kkyk feG.kkjs uSfrd ewY; ;krwu fL=;kapas nqª;eRo vf/kdp ?kV~V gksr xsys- gs lkjs L=hthoukoj izHkko Vkdr jkfgysys vkgsr] T;keqGs L=hvfLrRokps foltZu gksr jkfgysys vkgs-

डॉ. बी. डी. तोडकर

ABSTRACT

प्रा.बोडके पी. आर.

ABSTRACT

nùÊIÉhÉ +ÉʶɪÉÉiÉÒ±É näù¶ÉɨÉvªÉä {É®úº{É®ú ºÉ½þEòɪÉÉÇSªÉÉ ¨ÉÉvªÉ¨ÉÉiÉÖxÉ ºÉ´ÉÉÈMÉÒhÉ Ê´ÉEòÉºÉ ´½þÉ´ÉÉ ªÉÉ =qäù¶ÉÉxÉä nùÊIÉhÉ +ÉʶɪÉɪÉÒ |ÉÉnäùʶÉEò ºÉ½þEòɪÉÇ ºÉÆPÉ]õxÉäSÉÒ (ºÉÉEÇò) ºlÉÉ{ÉhÉÉ Eò®úhªÉÉiÉ +ɱªÉÉSÉä ÊnùºÉÖxÉ ªÉäiÉä. ªÉÉ ºÉÆPÉ]õxÉäiÉ ºÉ¨ÉÉʴɹ]õ +É`ö näù¶ÉÉÆiÉÒ±É +lÉÇ´ªÉ´ÉºlÉäSÉÉ Ê´ÉSÉÉ®ú Eäò±ÉÉ iÉ®ú ½þÒ VÉMÉÉiÉÒ±É ÊiɺɮúÒ +ÉÌlÉEò ¶ÉCiÉÒ `ö¯û ¶ÉEòiÉä. +¨ÉäÊ®úEòÉ +ÉÊhÉ SÉÒxÉ xÉÆiÉ®ú ÊiɺɮúÒ +ÉÌlÉEò ¨É½þɺÉkÉÉ ¨½þhÉÖxÉ Ê´É¦ÉÉMÉÒªÉ ºÉ½þEòɪÉÉÇSªÉÉ ¨ÉÉvªÉ¨ÉÉiÉÖxÉ ºÉÉEÇò näù¶É +É{ɱÉÒ +Éä³ýJÉ ÊxɨÉÉÇhÉ Eò¯û ¶ÉEòiÉÉiÉ. ªÉÉ VÉÉhÉÒ´ÉäiÉÖxÉ ¤ÉÉÆM±ÉÉnäù¶ÉÉSªÉÉ {ÉÖføÉEòÉ®úÉxÉä ºÉÉEÇòSÉÒºlÉÉ{ÉhÉÉ Eò®úhªÉÉiÉ +ɱÉÒ. VÉÉMÉiÉÒEò {ÉÉiɳýÒ´É®ú ªÉÖ®úÉä{É ¨ÉvªÉä ºlÉÉ{ÉhÉ ZÉɱÉ䱪ÉÉ Ê´É¦ÉÉMÉÒªÉ ºÉÆPÉ]õxÉÉÆSªÉÉ {ÉÉ·ÉǦÉÚ¨ÉÒ´É®ú ºlÉÉÊ{ÉiÉ ºÉÉEÇò±ÉÉ 30 ´É¹ÉÇ =±É]ÖõxÉ MÉä±ÉÒ +ɽäþiÉ. ªÉÉ ¨ÉÉvªÉ¨ÉÉiÉÚxÉ ºÉÉEÇò ºÉnùºªÉ ®úɹ]ÅõÉÆiÉÒ±É VÉxÉiÉä±ÉÉ BEò ´ªÉɺÉ{ÉÒ`ö ʨɳýɱÉä +ɽäþ. ºÉÉEÇò BEòÉÎi¨ÉEò EÞòiÉÒ EòɪÉÇGò¨ÉÉÆiÉMÉÇiÉ ¤É½ÖþÊ´ÉvÉ IÉäjÉÉiÉ ºÉ½þEòɪÉÉÇSªÉÉ ºÉÆvÉÒ ÊxɨÉÉÇhÉ ZÉɱÉ䱪ÉÉ +ɽäþiÉ. näù¶ÉÉÆSªÉÉ +ÉÌlÉEò ¤ÉɤÉiÉÒiÉ Ê´ÉSÉÉ®ú Eò®úiÉÉ Ê´ÉYÉÉxÉ, iÉÆjÉYÉÉxÉ, {ɪÉÇ]õxÉ +ÉÊhÉ ºÉÖ®IÉäSªÉÉ où¹]õÒxÉä ªÉÉ näù¶ÉÉiÉÒ±É ºÉ½þEòɪÉÉÇSÉä BEò xÉ´Éä {É´ÉÇ ºÉÉEÇòSªÉÉ ¨ÉÉvªÉ¨ÉÉiÉÖxÉ ºÉÖ¯û ZÉɱÉä. ¨ÉÉjÉ ºÉÉEÇò ºlÉÉ{ÉxÉäiÉÒ±É ªÉÉ ºÉEòÉ®úÉi¨ÉEò ¤ÉɤÉÓSÉÉ Ê´ÉSÉÉ®ú Eò®úiÉÉ ªÉÉ ºÉÆPÉ]õxÉäSªÉÉ ´ÉÉ]õSÉɱÉÒiÉ ÊxɨÉÉÇhÉ ½þÉäiÉ +ºÉ±Éä±ÉÒ +É´½þÉxÉä ½þÒ Ê´ÉSÉÉ®úÉÆiÉ PªÉÉ´ÉÒ ±ÉÉMÉiÉÒ±É. ½þÒ +É´½þÉxÉä Eäò´É³ý ´ÉèSÉÉ®úÒEò {ÉÉiɳýÒ´É®ú xÉɽþÒiÉ iÉ®ú, ºÉƤÉÆvÉÒiÉ näù¶ÉÉiÉÒ±É ºÉɨÉÉÊVÉEò {ÉÊ®úκlÉiÉÒ, ªÉÉ näù¶ÉÉSÉÒ +ÉÌlÉEò κlÉiÉÒ ´É ªÉÉ ºÉnùºªÉ näù¶ÉÉÆSÉä +É{ɺÉÉÆiÉÒ±É ºÉƤÉÆvÉ +¶ÉÉ +xÉäEò où¹]õÒxÉä +É´½þÉxÉÉÆSÉÉ Ê´ÉSÉÉ®ú Eò®úÉ´ÉÉ ±ÉÉMÉä±É. 

प्रा. डॉ. विजया जगन्नाथ पिंजरी – शिंदे

ABSTRACT

fganh ukVd dks uohu fn’kkvksa] iz;ksx/kfeZrk] f’kYixr uohurk dh vksj vxzlj djus esa Kkunso vfXugks=h dk LFkku egRoiw.kZ gSA Vsduhd dk u;kiu] ubZ laosnuk buds ukVdksa dh igpku gSA ukVddkj ,oa jaxdehZ ds :i esa lfdz; jgrs gq, mUgksaus fganh ukVd dks tgkWa viuh ukV; d`fr;ksa Onkjk le`/n fd;k gS] ogh mlesa uohu iz;ksx’khy o`fRr vkSj jpukRed rRo Hkh tksMsA fganh ukVd dks lelkekf;d O;aX;] ekuo thou ds vk/kqfud iz’uksa dh vksj ys tkus esa Kkunso vfXugks=h us lkFkZd igy dhA

डॉ. गजानन मुंधे

ABSTRACT

प्रस्तुत शोधनिबंधात जागतिकीकरणाच्या प्रक्रियेची जीवन जाणीवा मांडणारी सुनील अभिमान अवचार यांच्या ‘ ग्लोबल वर्तमानाच्या कविता ; मातृसत्तेच्या कविता, मी महासत्तेच्या दाराशी कटोरा घेऊन उभा राहणार नाही. ब्राव्हो | फॉक्स माइन्डस् ऑफ कॅपीटॅलिस्टस्; इत्यादी कवितेतील निवडक कवितांच्या निमित्ताने प्रतीक योजना (SYMBOL) ची मांडणी करायची आहे. जागतिकीकरणाची प्रक्रिया जगभर सुरु झाली आहे. त्याचे सामाजिक, सांस्कृतिक, आर्थिक राजकीय परिणाम होत आहे. सर्वहाराच्या जीवनजगण्याचे प्रश्न उपस्थित होत आहे. त्यामुळे सामजिक न्यायाचा विचार करणारे कलावंत, कवी सुनील अभिमान अवचार आपली संवेदनशीलता व्यक्त करताना दिसतात. जागतिकीकारणामुळे सुंदर, स्वतंत्र मानवी जीवनाला जी कुरूपता येणार आहे त्याविषयीची अस्वस्थता कवी सुनील अभिमान अवचार आपल्या काव्य साहिंतेतून व्यक्त करतात.